How to crop your pictures

how to choose the right crop for your photograph by Emma Wood

It’s amazing how different crops can change the mood of an image or even just enhance them. By just making a few little changes, you can add a lot more impact and drama. I try as much as possible to think about cropping and where I want to place my subject within an image before I shoot. But there are times when I realize during processing, how much more powerful an image would become with a certain crop and to achieve that, I have to do a little cheating. But that’s okay – it’s all part of the fun in my opinion, playing around and finding out exactly what works and why.

how to choose the right crop for your photograph by Emma Wood  how to choose the right crop for your photograph by Emma Wood

For this image, the differences were subtle but effective.  I used my 85mm (as I usually do) and there wasn’t much space, which was fine for my purposes here.  It was actually my first attempt at free-lensing and I knew I wanted a close up of my little girls curls on the end of her plait.

how to choose the right crop for your photograph by Emma Wood

She was moving as always, and it was very difficult to get focus, let alone the crop I wanted, so after taking the image into Lightroom, and using my crop tool,  I realized that it would be more effective cropped in closer, like this.

how to choose the right crop for your photograph by Emma Wood

It’s an improvement.   I have the crop as close as I want it now, giving me some information about the background etc, and as much as I usually like the 4×6 crop on many of my images, it didn’t feel right for this particular one. I wasn’t happy with the creases and shadows that you see in her shirt to the right and felt as though they were distracting to my image.

And this is the final crop that I ended with.  A square crop that allowed me to showcase the curl, leaving just enough space around it and no distractions.

how to choose the right crop for your photograph by Emma Wood

Another image that required some cropping attention was this one of my other daughter sitting in the window seat on a gloomy day.  I was actually in a different room taking this image with my 85mm and due to door frames etc, and the fact that I am terrible at getting images straight in camera, I ended up with this.

how to choose the right crop for your photograph by Emma Wood

The first thing I usually do is to use the crop tool to straighten my image.  The walls in my house are extremely old and nothing is straight, so I use my subject to guide me.  She’s my main focus, so I want to use the wall that she’s leaning against as my guide.  I know that by doing this, other lines in my image might not be straight, but it’s just a feature of the house, so I just do the best that I can do and go with it.

how to choose the right crop for your photograph by Emma Wood

Next, I play around with my crop tool, seeing what looks good to me.  She was pretty central, due to lack of space and me not being able to take the shot from the position that I wanted, so I’m not feeling happy with the crop as it is.  This crop using a 4×6 works better for me, it gives the image a little more interest, but she is still too central for my liking and I know that with more negative space, my image will have more impact aesthetically.

how to choose the right crop for your photograph by Emma Wood

So I opt once again for a square crop and using the content aware tool I pull up more space above and to the left of my image.  And because there are no objects or distractions in the space around my subject, this image is perfect for using this tool.  One thing that I have found when using the content aware trick for increasing space, is to remember not to add grain before you do this, the tool will stretch the grain and make your image look ultra noisy.  So I always add grain after.  Stacey Haslem wrote a fantastic tutorial for using the content aware tool.

how to choose the right crop for your photograph by Emma Wood

My final image is much closer to the vision that I had when shooting this image.  I like where she is placed and the space around her, it’s far more dramatic then the SOOC crop.  The last things I do is to add back some of the grain, (yes I love grain) and tidy up around the window sill.

how to choose the right crop for your photograph by Emma Wood

Really though, it’s all about experimenting,  playing and taking control of your images.  I love the creativity that cropping gives me and that it can completely change how I think and feel about an image.

how to choose the right crop for your photograph by Emma Wood

how to choose the right crop for your photograph by Emma Wood

About the Author
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Emma Wood

Emma currently resides in England with her pilot husband and 5 of their 7 children, the older kids are now off studying. Despite discovering photography as a means to document her children’s lives within the past few years, she has always had a love for photography, “particularly black and white which stems from my love of black and white films when I was a child.” Emma arms herself with a Nikon D700, a variety of prime lenses and a Lensbaby.

See more from Emma at emmawoodphotography.com.

18 thoughts on “How to crop your pictures”

  1. Emma, I loved this! I am a constant cropper so this was very helpful to me! Now I just need to get learn PS for the content aware tool…it is the only thing I feel like is majorly missing in LR!

  2. I absolutely love your work and feel so inspired by it. One of the things I’ve been wanting to ask you…besides EVERYTHING :)…is how you choose to frame your subjects because your photos always seem to have a lot of weight to them, so this is just great! Thank you so much for sharing some of your process.

  3. Love your grainy and shadowed black and white images. After spending my first year or two of photography trying to figure out how to make everything bright and light, I am only now just learnign this more moody feel. Still in total experiment mode, but I love seeing images like this. AND, I love that you have seven children!

  4. I love these! I’m a newbie (and a total rule follower in just about every area of my life), so I’m curious as to why you choose in the bottom two images to put your negative space behind your subjects. I don’t think it’s something I’ve ever tried since I’ve always read that your subject isn’t supposed to look like they’re about to walk out of the frame. I love that you break all of the rules; I’ve got to learn to do that every once in a while! 🙂

    1. Hi Chelsea. 🙂 Giggle, yes I do often break rules regarding placement, composition and negative space. It’s great to know all the rules and use them as a guide but at the end of the day, I usually go with what feels right to me. Sometimes placing your subject in an unexpected part of the frame means that the viewer becomes even more aware of them. It also depends on what is in the background, as to whether I decide where to place my subjects within the frame. I hope that makes sense, and thank you for the question. 🙂

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